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生命之初開始那份感動
一個生命孕育的過程，一場為了誕生而生的奮戰。





喻有設計界奧斯卡獎之稱的德國紅點設計獎（Red dot design award 由德國著名設計協會Design Zentrum Nordrhein Westfalen創立，至今已有超過五十年的歷史，通過對產品設計product design，傳達設計communication design以及設計概念design concept的競賽，每年吸引了超過六十個國家，一萬件作品投稿參賽，得獎的作品可以獲得在德國Essen的紅點博物館展出作品以及參加頒獎典禮的機會。）今年台灣台科大工商業設計系製作共五支影片報名參加最後從來自四十四個國家入選作品經過十五位評審從六千三百六十九個作品中，獲評為六百以一件優選（Winner）作品之一。其中李佩雯同學，以電玩遊戲的方式，構思生命孕育過程的「愛神號」動畫，也得到台灣首屆的「BEST OF THE BEST」大獎，將與全球其它九個作品，角逐年輕設計師大獎。獲選紅點設計獎的作品，則會刊登在"紅點"國際設計年鑑上，也會在德國紅點博物館定期展出。2010紅點設計獎視覺傳達設計頒獎典禮將於十二月八日在德國舉行，當天也會揭曉年輕設計師(JuniorPrize)的得獎名單。





台科大共有五件動畫入圍，五件動畫創作者李珮雯、蔡昀潔、盧瑄盈、黃聰閔、高珮雯，皆是台科大工商業設計系應屆畢業生。該系助理教授林廷宜昨說，該獎項接受學生與在職者報名，"學生能獲獎不簡單，已有專業水準"李珮雯一開始有想要做一些，像自殺防治類的影片，我想，如果這部動畫能夠真正感動人心的話，這部動畫是必要比較正面的。根據這些心情以及她對胎兒在母體內的想像，把小生命從男歡女愛到出生前的過程，以類似遊戲闖關模式，挑戰母體心理及生理上的層層關卡，最後成功誕生這支充滿生命力的感人動畫。電玩遊戲畫面訴說生命孕育過程的「愛神號」，李珮雯說，劇本靈感其實是來自初次懷孕的姊姊，加上她的媽媽曾說過，在懷她時曾考慮進行人工流產等心路歷程。李珮雯坦言高興中有惶恐，高興的是辛苦一年終有代價，卻也惶恐須設更高目標，未來考慮出國深造。她說《愛神號》發想自姊姊懷孕，設想以遊戲畫面呈現胎兒在母體二百七十七天旅程，得通過父母爭吵、差點墮胎等關卡，才能順利誕生。





《愛神號》李珮雯



紅點設計獎best of the best



一個生命孕育的過程，一場為了誕生而生的奮戰。


原來這麼原始，就是我們剛開始那個感動。本片以遊戲的畫面去訴說一段二百七十七天的生命旅程，化做戰機"愛神號"的胎兒用與生俱來­的生命力，在母體養成過程中化危為安，勇往直前，努力奮鬥著。影片內容的設定充斥著對­生命力的阻擋、挑戰及期待，有父母親的情緒、有大人的爭吵、有外在環境汙染的入侵、有­父母親透過超音波與「愛神號」見面的喜悅。腳本架構連結遊戲的模式，再轉化成有趣的故­事情節，"愛神號"的奮鬥過程一氣呵成。遊戲中的大魔王原意設定為"渾沌"，在東方，­"渾沌"有冥冥之中之意，是一股無人知曉的強大力量在宇宙運作著！大魔王攻擊"愛神號­"的武器是強烈的光束，光束暗示了外面的世界雖然光明，但也會使人畏懼。然而，這場遊­戲到最後，"愛神號"是否能帶著無懼之心，克服現實世界的衝擊，讓我們聽見他第一聲溫­暖又讓人心疼的吶喊呢? 不論懷孕這件事是不是預期的，胎兒是一個最靠近我們、最微小的生命起源，新生命已經在­母體內啟航，展開一場撼動人心又華麗的冒險。"愛神號"製作動機源自我對生命的看法，­當消極充斥在一些人身上時，甚至悲觀到虐待自己的生命時，是否能夠找回那最初始，屬於­自己生命力的感動呢？原來找到生命的熱情，心中是這麼的溫暖，不自覺的也跟著幸福微笑­了。生命的韌性，比想像中堅強；生存的力量，比想像中震撼。生命萬歲！Viva la Vida！

A Journey of Ripening. A Battle for Life."Eros" depicts 277-day life journey through a video game setting. The main character is the battle aircraft named "Eros", transformed from a little baby. The baby keeps moving on inside the mother's womb, struggling against adversity and pacifying each crisis. In the film, there are obstacles against the prospering of life, including the parents' emotions and argument, and external contamination. There are also joy and expectation such as the meeting through ultrasound images. The video game setting of the film launches the fascinating adventure of the baby aircraft battling all the way to the end. "Boss" is the final threatening demon who implies the unpredictable chaos, confusing darkness, and enormous hidden power of the universe. What Boss uses to attack Eros is the violent beam of light, which symbolizes that the world outside could be bright and attractive, but at the same time unsafe and frightening. In the end of the journey, could Eros face the world fearlessly, letting out a cry that is so heartbreaking yet filling us with warmth and happiness?whether or not the pregnancy is planned, the baby is a little darling closest to us, beginning the life as an exciting adventure in the womb. The making of "Eros" reflects my attitude towards life. Can people retrieve their earliest eagerness and affection for life when misfortune and affliction befall them? Finding love and passion for life is so satisfying that we can't help smiling with it. Life is stronger than what we think it is, and its existence is more powerful than what we can imagine. Life is wonderful. Viva la Vida!





《露易絲的世界》盧瑄盈



紅點設計獎





人類濫用資源毀滅世界，小女孩在垃圾堆發現投影機呈現的綠意世界，決心去創造這世界。Once the human beings are wasting the resources on earth, it is the time to go to the catastrophe. Only human-made products are with us. However, when the earth is full of bleakness and desolation, it is also the beginning of the creation. The main character of the film is a little girl who is the representative of the humans with the hollow hearts and with the helplessness to face the chaos. In the film, the girl found a projector in the junk. The green-world picture from the projector attracts the girl's attention and she was so touched. At that moment, she decided to create the vision she saw.




《咖啡戀人Cafe de L'amour 》蔡昀潔



紅點設計獎




咖啡的香郁、愛情的甜美、巴黎的浪漫
相識、相戀、相愛的過程，
就如同一杯濃醇咖啡的精雕細琢，
穿越巴黎市區的浪漫，
從咖啡豆到精緻粉末，
由滾水熱燙到綿密奶泡，
這是咖啡店的老闆娘的愛情故事，
享受人生，享受愛。

Café de L'amour運用巴黎的建築樣貌來設計煮咖啡的機關，包含了兩隻木偶演出的愛情故事­。在這個愛的旅程中，女孩遠渡重洋來到巴黎，首先體驗巴黎歌劇院的藝術饗宴，接著在地­鐵中遇到了男孩，經過新藝術時期的地下鐵入口，兩人一同拜訪紅磨坊，到了聖心堂產生愛­苗，經過拉維特公園，龐畢度，塞納河，在聖母院感情更加溫熱；繼續旅行巴黎鐵塔，羅浮­宮，協和廣場，最後男孩求婚了，新人步入香榭大道，在大家的祝福下，男孩與女孩在完美­的結局凱旋門許下終生。

This short film tells the love story of the owner of Café de L'amour, through a cup of a romatic coffee, a sweet love memory, and fourteen sceneries in the romantic city Paris. It is like that a sophisticated coffee making process starts from the fine coffee beans to carefully grounded powder, boiled water pouring through, and creamy foam adding on. It is a sweet love story to enjoy the life, and to love your love ones. Café de L'amour uses the structure of Paris to design the organization of coffee machine. It contains the love story between two carved wooden figures. In this love journey, the girl who traveled to Paris experienced the art cuisine of the Opéra national de Paris, and ran into the boy when passing Art Nouveau subway entrance. They visited the Moulin Rouge together and felt in love with each other when they reach Sacré Coeur Basilique du. Later, they went along to Parc de la Villette, Pompidou, Seine River and Cathédrale Notre-Dame de Paris. They love each other more and more. When they continue their journey to Eiffel Tower, Musée du Louvre, and Place de la Concorde, the boy made a proposal. The couple goes along Les Champs with the blessings from everyone. They commit their whole life to each other and end the journey happily up at Arc de Triomphe.





《迴映》高珮雯



紅點設計獎





以黑白與彩色兩個相互對照的角色來分別象徵東西方文化，雙方極力地渲染自身的色彩­，在顏料與黑墨的對抗衡過程中，看似彼此相異而造成的衝突，到最終才恍然發覺到雙方的­相似。兩人就像在照一面鏡子，看到的並不是別人，而是反映出自己，宛如鏡中映照出的一­體兩面，既是相異，也是相同。片中兩個角色從原本的單向思考，最終在互相激盪與轉變之­後，給自己帶來的是更寬廣的世界。

B/W and COLOR by contrast is to symbolize oriental and western cultures respectively in this film. Two characters are exaggerated enormously by themselves. Pigments and black ink seem to be different and confronted at the initial stage but the similarity between them is found finally. It just like that a person faces a mirror. What reflects in the mirror is her but not others! It seems that reflections in the mirror show the duality which is different but also the same. Two roles in this film think in one way in the beginning but they bring themselves broader view after intra-agitation and transformation.




《瘡》黃聰閔



紅點設計獎




一個充滿自信與自戀的女人，活在自己完美的世界裡，當她身邊週遭環境出現了無法接受的¬瑕疵，正是映照了女人心理最醜陋，最不願面對的自我，她選擇把這些缺陷一個一個的消滅¬，以為隱藏起來了，沒料到自己居然也是其中一份子。選擇製作這一部手繪動畫，看著筆下的腳色漸漸有了動態¬和生命，對我而言是令人感到興奮的，用一些影像去傳達情緒、一個故事，對於手繪的熱忱我一直保持著，並要求自我美感能不斷的提升，希望將來能創造出¬更多元的作品，讓我在設計這個領域有更多的貢獻。

A dauntless, narcissistic woman was living in her own perfect world. The unacceptable flaws appearing around her were the reflections of her ugliest self that she would never face. She decided to destroy all flaws and hide them away before realizing that she was one of them.






《瘤 》The Tumor






每個人都有拼命的要去隱藏的秘密，深怕為人所知，因為怕秘密被揭露之後，彷彿失去一層­保護膜，害怕被揭露的秘密成為自己的弱點。秘密是不可見的，只要不說，就能永遠不為人­所揭露，所以人就習慣了去掩藏。如果說這些掩藏在心中不斷累積的秘密，不再抽象不可見­，而是成為具體真實的「物體」時，會是怎樣一個情形？本片藉由主角身上日漸增長的肉瘤，象徵每個人心中堆積的秘密；當主角臉上一顆小小的肉­疣突出面皮時，可能不以為意，但等到它增生到巨大醜陋的瘤攤在眾人眼前時，人會如何面­對瘤（秘密）與自己，是無止盡的躲避眾人的目光，抑或是去接受？

Everyone has his/her own invisible secrets. However, how do people face them when they are no longer abstract and invisible but become concrete and obvious tumor on people's face?

















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